A simple but meaningful pavilion stands at the west end of Shelter Island. It holds the Bell of Friendship.
At the west end of Shelter Island, which lies near the entrance to San Diego Bay, you’ll find a testament to the enduring friendship that has been established between two sister cities. San Diego and Yokohama are located on opposite sides of the wide Pacific Ocean, yet these two beautiful cities are closely connected.
In 1958 a large bronze traditional Japanese bell was dedicated on Shelter Island with great ceremony. It’s located in a prominent spot; ships from countries throughout the world pass it every day. The bell, created by Masahiko Katori, one of Japan’s living National Treasures, was presented during a Centennial Celebration which marked a hundred years of formal relations between the United States and Japan. The bell hangs in a pavilion surrounded by a narrow moat of water and a space of green grass.
The Bell of Friendship, which is six feet high and almost two and half tons, is seldom rung; but on New Year’s Eve the ram strikes the heavy bronze, resonating deeply–many say spiritually–welcoming a hopeful future.
The Japanese Friendship Bell was presented by the City of Yokohama to the people of San Diego in 1958 as a symbol of eternal friendship.This magnificent bell was cast by the artist Masahiko Katori who has been designated as a Living National Treasure by the government of Japan.The Japanese Friendship Bell is one of several landmarks that can be seen along the length of Shoreline Park on Shelter Island.
At the front of the simple pavilion stands a three foot tall sculpture of a young girl. “The Girl in Red Shoes” by Japanese artist Munehiro Komeno debuted in 2010 and represents the friendship between the ports of San Diego and Yokohama. The sculpture portrays Kimi, a Japanese orphan who was adopted by a loving American couple in the 1920s. The girl was later diagnosed with tuberculosis and couldn’t leave Japan. The touching story has been told many times, and has become a symbol of the goodwill that exists between our two nations. Kimi holds a rose and carnation. The rose symbolizes Yokohama; the carnation is San Diego.
The Girl in Red Shoes by Munehiro Komeno. June 2, 2009. Kimi represents close friendship between the United States and Japan.Biking past a unique and beautiful sight on a glorious summer day.
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Workers have begun to install the first paver “bricks” dedicated to people, businesses or organizations at the foot of San Diego’s Broadway Pier.
I was walking along San Diego’s waterfront after work today, enjoying what remained of daylight, when I spied some sort of construction underway at the foot of the Broadway Pier. I moseyed over to check it out.
I discovered that the first of the custom pavers are being installed by the Port of San Diego, in the wide new plaza at the pier’s entrance. Anyone can sponsor a paver “brick” and have a name engraved upon it for posterity. Phrases such as “In memory of,” “In celebration of,” “In honor of,” “Sponsored by,” “Established in,” and “Dedicated to” are allowed. Plaques on furniture such as tables, chairs and benches can also be customized with a name of your choosing. A tall stack of pavers was ready to be installed, so it looks to me like the Port of San Diego is off to a good start!
Interested? Check out sdportwalk.org for further details!
San Diego’s North Embarcadero, often referred to as the city’s front porch, has undergone enormous improvements in recent years. I’ve lived downtown for 15 years, and the waterfront is more beautiful, friendly and functional than ever. But additional phases in its revitalization await completion. According to the Port of San Diego website, money that is raised will help fund future improvements and developments on the Embarcadero.
Anyone can place their name on a permanent paver to help support improvements to the North Embarcadero. Custom plaques on furniture, like public benches and tables, are also available.Some of the first pavers are engraved with the names of VIPs. Included are the current Mayor, several Port of San Diego officials, and City Council President.Smiling Port of San Diego guys explained to me a little about this ongoing project. Ultimately, these legacy “paving blocks” will stretch in a band across the entrance to Broadway Pier.Looking east down Broadway from the foot of the pier, on San Diego’s continually improving, very beautiful Embarcadero.
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Mark Twain uses cane to point out his classic novel The Adventures of Tom Sawyer. Many 19th century authors and fictional characters were seen walking around during TwainFest.
TwainFest last summer was awesome. So today I had to go again!
A uniquely wonderful cultural event, TwainFest celebrates Mark Twain and other famous 19th century authors. Held every year in Old Town San Diego State Historic Park, the event includes games and activities for the entire family, including Costume and Liar’s contests (the latter as a tribute to Twain’s tall tales), vintage dancing, and all sorts of historical performances and reenactments. TwainFest is presented by Fiesta de Reyes and created by the literature-loving folks at Write Out Loud.
I walked about randomly for about an hour just aiming my camera at familiar old classics that I love come to life. I saw lots of San Diegans in period costume, many portraying well known characters from literature.
I hope you enjoy these photos…
A random writer helps to pen one of three endless stories at the family friendly event. …And, lo, from out of the mist stepped a phantom: it was the ghost of Mark Twain!Mr. Samuel Clemens, American author of many timeless books and stories, relaxes under a tree in Old Town San Diego State Historic Park during 2015 TwainFest.Mark Twain’s beloved character Aunt Polly is looking around for Tom Sawyer and Huck, who are probably running about engaged in mischief once again.Some lively Irish music dating from the Old West is played during TwainFest on the Fiesta de Reyes stage. Laughter. Levity. Literature.A storyteller making the rounds at TwainFest challenges the audience between musical performances to solve humorous riddles.This elegantly-dressed gentleman informed me he would be reading classic fiction to the crowd later today.Not to miss this history and literature-inspired event, a couple of fun-loving pirates come shuffling along through Old Town’s central plaza.Oh, goodness! It’s one of the most famous fictional, rascally pirates of all! Long John Silver! What’s that in the bottle?Al Sorkin, aka Captain Swordfish, represents the Maritime Museum of San Diego. That’s a really big harpoon! Perhaps it was once used to hunt Moby Dick.Two friendly people in period costume were greeting visitors at the entrance to the Casa de Estudillo.This funny guy said he was a sort-of Mad Hatter with a Bowie knife! He looked more like a 19th century Willy Wonka to me!Uh oh. While no one was looking Henry David Thoreau got out of his jail cell! That was awfully disobedient!These two snake oil salespeople were selling Ether of Muse. One whiff of the potent elixir and writing literature is a snap.This mild, ordinary lady in a bonnet demonstrated what happens when one sniffs essence of Emily Dickinson. She recited breathless poetry for minutes on end.Girl greets large puppet Mark Twain and Emily Dickinson at 2015 TwainFest in Old Town San Diego State Historic Park!
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Sign outside the Spanish Village history exhibit, which is open to the public in Gallery 21.
Anyone in San Diego who loves art must visit Spanish Village Art Center in Balboa Park. Some of the region’s finest local artists occupy its 38 working studios. By strolling around the large, colorful courtyard and poking a nose here and there, the public can see (and purchase) finished artwork of every kind, watch the creative process, and talk to the friendly artists themselves.
While at Spanish Village–if you’re the curious sort–you might also check out a small but fascinating history exhibit. Just step into Gallery 21.
Earlier this summer I was graciously given a tour of the exhibit by one of the resident artists. Here are a few photos and captions describing what I saw. Of course, it’s much better to experience Spanish Village and these memories of its history firsthand. So I encourage everyone to head on over.
The exhibit reviews how, a century ago, Balboa Park (originally called City Park) was developed and transformed into a dreamlike landscape for the 1915 Panama-California Exposition. Many fantastic buildings were created, using a variety of influences from Spanish, Mexican, European Renaissance and Moorish origins. This unique mixture became what is known as Spanish Colonial Revival architecture.
Later, the successful California Pacific International Exposition of 1935 was promoted to boost San Diego during the Great Depression. It used existing buildings from the Panama-California Exposition and exhibits from the recent Chicago Century of Progress Expo. New construction designed by master architect Richard Smith Requa added a variety of buildings to Balboa Park, including those of Spanish Village. Spanish Village, as its name implied, originally recreated life in Spain, with “shops that sold art, curios, flowers, music and wine. It had a children’s theater, a Chinese Bazaar, a cocktail lounge called Cafe Granada and other restaurants. The Village was at the entrance to the Fun Zone which contained a Midway, a midget zoo, and an Indian Village.”
Today, this exhibit’s historical photographs, newspaper articles and ephemera relating to Spanish Village help visitors understand and appreciate the cultural contributions over many decades of hundreds of participating artists.
Doorway inside Gallery 21 leads to an unexpected treasure trove of Balboa Park and San Diego history.Beautifully painted mural in the small museum pleases the eyes of art-loving visitors.The walls, like a scrapbook, feature a mosaic of images and articles chronicling the history of Spanish Village.Old photographs show Spanish Village buildings, which were erected for the 1935 California Pacific Exposition in Balboa Park. They housed shops and restaurants during the expo.The California Pacific Exposition closed September 9, 1936, and the idea for Spanish Village Art Center was soon realized. Artists completed their studios and had a public opening on April 7th.Display lists Spanish Village’s artist founders. Newspaper clipping’s “Officers of Culture Project” included Sherman Trease, Mina Schultz Pulsifer, and Henry Long.Old San Diego Union newspaper announces first Art Fiesta, a festival held September 3-6, 1937. Spanish Village hosted all forms of visual art, plus theater groups, writers and musicians.Visitor to the Spanish Village history exhibit learns about the rich heritage of this very unique and wonderful place.Another display tells of the coming of World War II, and how the Army took over Spanish Village. Many departing artists would serve in the military. Some later returned to renew their art.After the Army left, a financial dispute with the City of San Diego was resolved. Artists would pay affordable rent for each studio. A jury would decide on qualified renters.Samples of past Spanish Village publications, including a quarterly. Today the artists promote their work online using websites, e-newsletters and social media.Do you have a memory or story about Spanish Village Art Center? Experiences are being collected and added to this show. Thanks for the community spirit!Spanish Village is located in amazing, historic Balboa Park. Art grows here.
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The Sheldon House is a very cool sight at the corner of 13th and Island in San Diego’s East Village.
Like most cities, San Diego has its share of cool old houses. Here’s an example of one that’s located in downtown’s East Village neighborhood.
Standing at the corner of 13th Street and Island, the 1886 Sheldon House was designed by the famous architects Comstock and Trotsche, and is an amazing example of the flamboyant Queen Anne style. The grand, extravagant Victorian mansion was built for Dr. F. C. Sheldon and his family, and included a multiple-gabled roof, a large, elegant front porch, and stained glass features in every window. Unfortunately, the doctor died soon after the mansion’s construction. To support the large surviving family, his wife converted the home into a successful boarding house.
Lots of decorative details include an elaborate porch and stained glass crowning every window.View of the sunlit Sheldon House from the east. A skeleton stands in one window!The 19th century Victorian mansion seen from the north, with modern residential buildings behind.
UPDATE!
Years later, I noticed this old photograph projected on a wall at the San Diego History Center. It is of the Sheldon Residence being moved by the Palmer Brother House Movers from 11th and D Streets to Island Street in 1913…
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A merchant ship’s purser greets a wheelwright in Old Town San Diego State Historic Park during Stagecoach Days: Trades That Shaped the West.
This afternoon I took a short easy stroll through Old Town San Diego State Historic Park. My trusty little camera captured some interesting photos of history come to life!
During summer Saturdays, Old Town hosts a cool event called Stagecoach Days. Each weekend there’s a different theme. Today it was Trades That Shaped the West.
As you might imagine, I witnessed historical reenactments of working life in San Diego when the town was a small outpost of civilization surrounded by mostly undeveloped wilderness. In those days life was often difficult, but the people were from hardy stock. Let’s see a small sample of what 19th century San Diego might have been like…
Stagecoach Days, Celebrating the West on the Move, is open free to the public. The weekly event is held on summer Saturdays in Old Town’s historic central plaza.Preparing an old Stanhope Park Phaeton, parked with other buggies and carriages in front of the Robinson-Rose House Visitor Information Center.A ladies basket trap carriage, circa 1900. This simple horse-drawn vehicle was often used for comfortable country travel, complete with wicker basket seat.The wheelwright had many tools on display and explained how wheels in the 19th century were skillfully created of wood and iron.A welded ring of bent iron would be expanded with heat, then placed around the wheel’s ash wood circumference.A cool woodworker demonstrates and provides the names of his many tools to the delight of watching kids.A sneak peek into the blacksmith shop behind Seeley Stable Museum before the event officially begins outside in the plaza.A blacksmith bangs away on some hot metal as he fashions a thin, pointed nail.This sliver of red hot iron with some hammering will be turned into a nail with a flat head, ready to be used for 19th century construction.These folks in historical costume are busily preparing some biscuits, a common food in the early days of San Diego.A smiling someone is tending the campfire. What’s cooking?Looks like a bubbling stew!Printing press demonstration underway at the San Diego Union Museum print shop in Old Town.Wells Fargo employee, from the agent’s office museum in the Colorado House, helps people into a stagecoach for a photograph.Of course, a good historical reenactment of the Old West requires lively music and enthusiastic dancing.Two ladies prepare to dance the polka.
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War Comes Home: The Legacy. A collection of letters written by veterans and their families.
A poignant exhibit is now on public display at San Diego’s downtown Central Library. It’s titled War Comes Home: The Legacy. Through a number of emotionally charged letters to and from troops abroad, one can begin to feel how war changes lives. Included is personal correspondence, including email, from almost every major conflict in United States history. This exhibition is put on in partnership with Cal Humanities, and its stated purpose is to promote greater understanding of our veterans and explore the impact of war on communities.
The exhibit can be found on the first floor of the library and will run through August 16.
I’m coming home! I’m looking forward to seeing you again…but I’m in no hurry to see the expressions on your faces when you see me. You might even ask me for proof that I’m your son.U.S. wars are mostly fought abroad, allowing many Americans distance from the personal implications. The war experience, however, remains with veterans for the rest of their lives.Now that it is all over, what is there to look back upon? The fifteen months in France have been like a book with strange chapters…Although most people think that they are War Conscious, are they really? So far removed from the battle fronts, can they be?Those of us coming back from Iraq or Afghanistan are not looking for sympathy. We might be reluctant at first to talk about what we’ve been through, good or bad…You cannot imagine, I believe, what thoughts came over me as I thought of all those who stood there on that day–and what it was all for, and what would come of it…Not a day goes by that I don’t think of you. I never know that love could hurt so much.Enduring Loss: The Costs of War.The things that I am going to say in this letter are about twenty years and a whole lifetime late, but maybe that won’t matter once they’ve been said.Coming home to “normal” life from a war zone can be a jarring experience for many troops.Ultimately, your loved one should start to feel “normal” after about five to six months–just in time to be deployed again.Let me be the first to tell you that we have a rough road ahead of us, kiddo. The life of a soldier isn’t an easy one.My son: you are missed in our home. There is a silence and a sadness because of your absence.Hearing grown men speak with wavering voices, some shedding tears, was more than I could bear.You ask if the boys have changed much. Some, having had experience enough for a lifetime, are older…and yet, they have a greater zest for life…Sketch of servicemember in military hospital with amputated leg, reading or writing a letter.
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Old poster highlights points of interest reached by past San Diego streetcar and railroad lines. Depicted are orange groves, Mexican bullfighting, an ocean liner and Balboa Park.
When I catch the trolley at downtown San Diego’s Santa Fe Depot, I often walk through an outdoor passageway that separates the hundred year old train station’s enormous waiting room from it’s original baggage terminal. The latter building was converted years ago into an interesting space used by the Museum of Contemporary Art San Diego (MCASD).
Recently, while strolling through the passageway, I paused to examine three eye-catching graphics created by the museum to promote one of its current exhibitions. Two of the images incorporate old train posters from San Diego history, which I find to be very cool. I thought you might enjoy a look!
MCASD’s exhibition titled “John D. Spreckels and The Impossible Railroad” concerns a railway project undertaken a century ago by one of San Diego’s most prominent entrepreneurs and benefactors. Perhaps Spreckels’ greatest accomplishment was to complete the logistically difficult San Diego & Arizona Railroad, our nation’s southernmost transcontinental railroad route. I haven’t visited the exhibition, but according to what I’ve read it utilizes interesting visual devices to demonstrate the near impossibility of building Spreckels’ railroad, which had to wind around and over deep mountain gorges. (Spreckels was also responsible for a large network of electric streetcars which traversed San Diego decades before our modern day trolleys.)
Outdoor passage between the Santa Fe Depot and the Museum of Contemporary Art San Diego’s downtown Jacobs Building, which years ago was the train station’s baggage terminal.John D. Spreckels and the Impossible Railroad is one of the current art exhibitions at MCASD. These interesting promotional graphics also incorporate historical newspaper articles.Old advertisement for the San Diego and Arizona Railway, called the Carriso Gorge Route, which included possible destinations Chicago, New Orleans, Kansas City, El Paso, San Diego.
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The elegant Jessop’s Street Clock stands like a vision from the past at the center of San Diego’s popular Horton Plaza.
San Diego’s top tourist attraction in 1907 wasn’t a zoo, a park, a popular building or location. It was an amazing clock. Word traveled far and wide about the elegant, beautiful, one-of-a-kind Jessop’s Street Clock, which debuted that year in downtown San Diego. San Diego at the time was a very small town. The large clock stood on the sidewalk in front of the J. Jessop and Sons jewelry store at 952 Fifth Avenue.
The idea for this street clock sprang from the imagination of Joseph Jessop, a jeweler who immigrated to America from England. He’d seen many beautiful public clocks in Europe. especially in Switzerland. Joseph hired mechanic Claude D. Ledger to build the complex clock, which took fifteen months of meticulous, precise work to complete. The fine clock has almost never stopped working. One memorable day the clock did mysteriously stop–the same day that Claude died.
The Jessop’s Street Clock was first displayed at the 1907 Sacramento State Fair, where it was awarded a gold medal. (The large medal of real gold was stolen, and so was the first bronze replacement!) Since then the clock has occupied several different spots in San Diego. The clock stands 22 feet tall and features 20 separate dials and 300 moving parts. It has an estimated worth of several million dollars. Much of the shining movement is gold-plated. The elegant clock contains tourmaline, agate, topaz and jade, local gems extracted from the Jessop Mine on Mount Palomar.
Today the historic clock occupies a prominent position near the center of Horton Plaza, where many shoppers breeze by with hardly a glance. I suppose very few people realize the importance of this clock, and how at one time, over a century ago, it was one of San Diego’s most well-known landmarks.
Shoppers walk past the beautiful Jessop’s Street Clock, a landmark in downtown San Diego for over a hundred years.Intricate, exquisite gold-plated movement of the historic Jessop’s Street Clock. The massive mechanism extends twelve feet down into the Horton Plaza parking garage!J. Jessop and Sons jewelers created this amazing clock, which over a century ago was San Diego’s top attraction!Thousands of hours have been spent over the decades maintaining, rehabilitating, moving and reconstructing the fine clock.The Jessops Street Clock was exhibited at the 1907 Sacramento State Fair. This is a bronze replica of the gold medal awarded to the master clock. The clock is property of the Jessop family.Base of the 1907 Jessop Clock in downtown’s Horton Plaza shopping mall. Plaque indicates Historical Landmark No. 372, The City of San Diego.Twelve dials on one face tell time in New York, London, Paris, Berlin, Milan, St. Petersburg, Calcutta, Capetown, Tokyo, Hong Kong, Melbourne, Mexico City.
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Five church bells hang in the distinctive facade of the historic Mission San Diego de Alcalá, founded by Junipero Serra.
Sometimes it’s easy to forget that our lives will soon become history. And that the lives of people, no matter how imperfect, create a rich, varied tapestry that reaches centuries back in time, and forward into the future.
Young and old–representatives from several generations–came together this weekend in San Diego to again celebrate the Festival of the Bells. The annual event is held at Mission San Diego de Alcalá, the first Spanish mission to be built in California. Food, song and dancing accompanied colorful religious rituals such as the Blessing of the Bells and the Blessing of the Animals. Everyone was welcome to enjoy the free festival.
The original San Diego del Alcala was founded in 1769–almost 250 years ago–at the site of the old Spanish presidio, near the edge of San Diego Bay. The current mission building was erected by Father Serra in 1774, a few miles up the San Diego River where the land was more fertile.
The distinctive facade and bells of this historical landmark are often used as a symbol for our city, and the ringing of the bells are like echoes from a complex, often strife-filled, but fascinating past. The youngest generation, seeing this old world with fresh, optimistic eyes, jumping free and loving life in the festival’s bounce house, will remember today decades in the future as just another small moment in the journey of history. Hopefully that memory is good.
The Festival of the Bells is an annual celebration which memorializes the establishment and long history of California’s first Spanish mission.Young people provide family entertainment free to the public at the 2015 Festival of the Bells.A large audience had gathered in the mission’s spacious courtyard-like quadrangle, even as rain threatened on Sunday afternoon.Folks hang out around the central fountain, eating food and taking in sights, smells and sounds during a lively San Diego tradition.Proceeds from sales of food, crafts and gifts benefited Mission Basilica San Diego de Alcala, which is an active Catholic church.Who can resist root beer floats?Put a friend in the jailhouse to raise some money!San Diego de Alcalá was the first of 21 Spanish missions in California, established by Father Junipero Serra in 1769.Small statues along walkway at front of San Diego de Alcala depict Saints who inspired California mission names. This is for Mission Santa Clara de Asis, founded 1777.Sign in the mission’s garden explains The Campanario. (Click to enlarge.)
The campanario is 46 feet high and holds the Mission bells. The crown-topped bell on the lower right is named Ave Maria Purisima–Immaculate Mary. It weights 805 pounds and was cast in 1802 . . . The bells played an important role in the everyday life of the Mission . . . They were used to announce times for Mass, work, meals and siestas. The bells signaled danger, rang solemnly to honor the dead, and pealed joyously to celebrate feast days, weddings and fiestas.
Of the five church bells, one original bell dates back to 1802.
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Cool San Diego Sights! 