I spent another New Year’s Day by sparkling San Diego Bay. My feet seemed drawn to the water, as predictably as the Earth orbits the Sun. The rippling water and sea breeze always makes me feel reborn.
Today I walked from the Hilton San Diego Bayfront to a spot north of the Grape Street Pier, not quite as far as the Coast Guard Station.
Come along and we will relive the journey. Even on a relatively quiet New Year’s Day, we’ll observe fishermen, boaters, bicyclists, musicians, artists, friends and families. We will move through life.
One forward step leads to another.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
This particular Boeing Vertol CH-46D(E) Sea Knight military helicopter in San Diego is an object of great historical importance.
Many regard the evacuation of the United States Ambassador from Saigon as the end of the Vietnam War. On April 30, 1975, as ordered by President Gerald Ford, Ambassador Graham Martin was airlifted from the rooftop of the American Embassy. He had stepped aboard a Boeing Vertol CH-46D(E) Sea Knight military helicopter, call sign Lady Ace 09, flown by pilot Captain Gerry Berry.
While the Ambassador’s evacuation from the Embassy has provided a visual symbol of America’s departure from South Vietnam, the reality was a bit more chaotic. When Lady Ace 09 transmitted “Tiger is out,” indicating the Ambassador had been retrieved, other helicopter crews involved in the evacuation mistakenly thought the mission was completed. But Marine Security Guards on the Embassy’s rooftop would be lifted to safety hours later. Shortly thereafter, Communist forces would raise the Viet Cong flag over Saigon’s Presidential Palace.
The Flying Leatherneck Aviation Museum is located at Marine Corps Air Station Miramar in San Diego. In addition to Lady Ace 09, over two dozen aircraft that have been flown by the United States Marines are on display. Admission is free.
The museum wants to expand. You can help! Learn more here.
The Flying Leatherneck Aviation Museum in San Diego contains many aircraft that have been used during the history of the United States Marine Corps.At the Flying Leatherneck Aviation Museum at MCAS Miramar, the public can see the actual helicopter that evacuated the U.S. Ambassador from Saigon at the end of the Vietnam War.Operation Frequent Wind, 29-30 April 1975, call sign Lady Ace 09. This Sea Knight helicopter evacuated Ambassador Graham Martin from the U.S. Embassy in Saigon, South Vietnam. (Click photo to expand.)A look at the rear of the historic helicopter that transported U.S. Ambassador Graham Martin to the safety of USS Blue Ridge (LCC-19) standing by in the South China Sea.The fuselage of Sea Knight troop transport helicopter, call sign Lady Ace 09.At 04:58 Ambassador Martin boarded Lady Ace 09 on the rooftop of the American Embassy in Saigon. The message “Tiger is out” was transmitted, signaling the departure of the U.S. Ambassador.The nose of Lady Ace 09, which today is on display at the Flying Leatherneck Aviation Museum.Inside the the Flying Leatherneck Aviation Museum, visitors can see one section devoted to USMC aviators and aircraft that participated in the Vietnam War.One museum display case includes a map of Laos, Cambodia, and North and South Vietnam during the war.Photos of Marine helicopter operations during the Vietnam War.Boeing Vertol CH-46D(E) Sea Knight, call sign Lady Ace 09, the helicopter whose historic flight is often regarded as the conclusion of the Vietnam War.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
You can easily explore Cool San Diego Sights by using the search box on my blog’s sidebar. Or click a tag! There are thousands of interesting photos for you to check out!
Photo of Samuel Tsosie Sr., Navajo Code Talker during World War II.
A small but fascinating exhibit remembering the Navajo Code Talkers of World War II is currently on display at the Flying Leatherneck Aviation Museum in San Diego. The exhibition, titled CELEBRATING 75 YEARS – CODE TALKERS: THE NAVAJO WEAPON, contains photos, documents, uniforms and historical artifacts that describe how the Navajo language was used to develop a code for secret tactical communication in the Pacific, in places like Iwo Jima and Okinawa. The Navajo code, which was classified until 1968, is the only spoken military code that was never deciphered.
The exhibit explains:
Many scholars credit Philip Johnston with initiating the Code Talker idea. Johnston was a Caucasian who grew up in Leupp, Arizona on the Navajo Reservation. He approached the Marine Corps in 1942 after the attack on Pearl Harbor and proposed using Native American Navajo language for combat communications.
His knowledge of the Navajo culture led him to bring four Navajo volunteers to Camp Elliott in San Diego, California (an area that is now part of MCAS-Miramar) for a demonstration. Impressed with successful and efficient English and Navajo translations, the Marine Corps began recruiting Navajos. The first group of twenty-nine recruits entered boot camp, took courses in military communication procedures and developed the code. Approximately 400 Navajo recruited by the Marines learned the code.
Working around the clock during the first two days of Iwo Jima, six Navajo Code Talkers sent and received over 800 messages, all without error. According to Major Howard Connor, 5th Marine Division Signal Officer, “Were it not for the Navajos, the Marines would never have taken Iwo Jima”.
The Flying Leatherneck Aviation Museum is free and open to the public at Marine Corps Air Station Miramar. The museum grounds contains over two dozen aircraft used during the proud history of Marine Corps aviation. It has the world’s largest and most complete collection of vintage aircraft flown by United States Marine pilots.
The museum is looking to expand and I’m told they would really appreciate your help. For more info, click here.
Celebrating 75 Years – Code Talkers: The Navajo Weapon. The Marine Corps deployed the Code Talkers to the Pacific, where the code proved effective and indecipherable. (Click photo to expand for easy reading.)The first 29 Code Talkers enlisting in the United States Marine Corps, 1942.First 29 Code Talkers of 382nd Platoon, 1942.Navajo Code Talkers Henry Bahe and George Kirk working their radio in the jungles of Bougainville.Eight Navajo Code Talkers on Bougainville. Most hold an M1 Garand used in combat.Display case in this special Flying Leatherneck Aviation Museum exhibit includes military field equipment used by the Navajo Code Talkers during World War II.The EE-8 Field Telephone/Radio was used by the Signal Corps from before World War II through the Vietnam War.Navajo Code Talkers share their culture at Camp Elliott, 1943.One of four creators of the code, Navajo Code Talker Chester Nez.Navajo Code Talker PFC Carl Gorman mans his observation post overlooking Garapan Saipan, 1944.This enlisted man’s uniform jacket, shirt and tie belonged to Samuel Tsosie Sr. The Guadalcanal patch was worn on discharge uniforms by all Navajo Code Talkers.Navajo Code Talker Samuel Tsosie Sr., pictured with Alfred M. Gray Jr. during an award assembly in 2009. Gray served as the 29th Commandant of the Marine Corps from 1987-1991.Official uniform of the Navajo Code Talkers includes a red cap, Navajo jewelry, gold shirt, patch on upper arm, light-colored trousers and abalone-colored shoes.
The museum exhibit explains the significance of various items worn by the Navajo Code Talkers.
The red cap indicates the United States Marine Corps. The jewelry represents the Navajo or Diné, which translates “Children of God” or “The People”. The gold shirt represents corn pollen. The light-colored trousers represent Mother Earth. The abalone-colored shoes represents the sacred mountains.
Replica of Congressional Silver Medal represents the medal received by Samuel Tsosie Sr. for his service during World War II. 300 Navajo received the Silver medal.Shoulder patch of U.S. Marine Corps–WWII Navajo Code Talkers Association.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
You can easily explore Cool San Diego Sights by using the search box on my blog’s sidebar. Or click a tag! You’ll find many interesting historical photographs!
Spaces from Yesterday is a collaborative exhibition at the SDSU Downtown Gallery featuring the art projects of three San Quentin inmates. (Click image to enlarge for easier reading.)
There’s a fascinating exhibition right now at the SDSU Downtown Gallery. It’s titled Spaces from Yesterday and features the artwork of three San Quentin inmates.
The artwork was created in collaboration with San Quentin State Prison art teacher Amy M. Ho, who also has a few related pieces in the exhibition. But the work that I found most interesting came directly from the hands of the inmates.
All three of the artists summon happy memories from their childhood. These images are warm, but also hard-edged and unpeopled. One work, The Hallway by Dennis Crookes, almost looks like a long, harsh, narrow prison hallway that finally leads to a home’s light-filled kitchen.
I could find no explanation why these three were incarcerated in the San Quentin correctional complex, which contains California’s only death row for male inmates. That would seem to be an essential part of the story, and might explain certain qualities of the art. But the anecdotes that are written do reveal a common yearning for a past life that is fondly remembered.
The following photos show a description of each piece, followed by the actual artwork.
Spaces from Yesterday will be on display through January 28, 2018. Those interested in art, creativity, and often hidden aspects of human life should check it out. Admission to the SDSU Downtown Gallery is free.
Prison art teacher Amy M. Ho and Dennis Crookes began planning The Hallway collaboration while Crookes was incarcerated at San Quentin State Prison.The Hallway, Dennis Crookes, acrylic on canvas, 2016.The Garage, a collaboration with inmate Bobby Dean Evans, Jr., contains warm memories from a playful childhood.The Garage, Bobby Dean Evans, Jr., mixed media on cardboard, 2016.Chanthon Bun painted memories from a childhood that included a play fort in an abandoned lot, comic books, baseball cards and a fish pond he created with his siblings and young relatives.The Last Summer, Chanthon Bun, acrylic on canvas, 2017.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
Masts and furled sails of the Spanish galleon replica San Salvador turn golden shortly after sunrise. Photo taken past the figurehead of Star of India.
I apologize, but I love tall ships so much I’m presenting another small batch of photographs.
I captured these images of San Salvador at the Maritime Museum of San Diego yesterday morning and this evening. Both the early and late sunlight performed magic, transforming the furled sails into gold.
San Salvador in early morning light, and its glowing reflection in San Diego Bay.Morning magic at the Maritime Museum of San Diego.Photo of the San Salvador shortly after sunset. The amazing tall ship is a replica of the galleon commanded by explorer Cabrillo in 1542.Visitors to the Maritime Museum of San Diego pause on the beautiful ship San Salvador as evening slowly turns to night.The last golden rays of sunlight strike the furled sails of San Salvador, under a nearly full moon.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
Like the mythical Atlas holding up the Earth, an incredibly strong person single-handedly shoulders the moon.
This morning I was astonished by the strange scene in the parking lot north of the County Administration Building.
I saw an incredible feat of strength, as a man lifted the moon with his shoulders . . .
I saw people engaged in giant pig tipping . . .
And I saw a monstrous shark about to take a bite of a strawberry ice cream cone!
Others might have observed people inflating a bunch of big balloons for the 2017 Holiday Bowl Parade.
Fun balloons were being inflated this morning near the County Administration Building for the 2017 Holiday Bowl Parade.Putting together a festive parade takes a bit of hard work and careful organization, it appears.This sunny San Diego float stood empty early in the morning on Harbor Drive.Back in the parking lot where the Holiday Bowl Parade balloons were gradually being inflated, a snow globe containing Frosty was rising like magic into the blue San Diego sky.I’ve heard of cow tipping, but these people seem to be tipping a giant pig.A monstrous shark prepares to take a bite from an enormous strawberry ice cream cone!
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
If you love fine art, there’s something you really need to see. Legacy in Black is an exhibition featuring the work of local African American artists who enjoy national and international acclaim. You can enjoy this exhibition for free by visiting the San Diego History Center in Balboa Park.
A number of outstanding pieces represent the work of eight artists who’ve made significant contributions to our city’s cultural life. Many of the artists have produced public art around San Diego and California. Faith Ringgold has had works exhibited in places like The Metropolitan Museum of Art, The National Museum of American Art, and The Solomon R. Guggenheim Museum. Ernest Eugene Barnes Jr. was the official artist of the 1984 Olympic Games in Los Angeles. Kadir Nelson was the lead conceptual artist for Steven Spielberg’s film Amistad, and his work is often featured on the cover of The New Yorker magazine. All eight artists featured in this exhibition are exceptional.
Legacy in Black is a collaboration between the San Diego History Center and the San Diego African American Museum of Fine Art. Head on over to Balboa Park before the exhibition closes on March 28, 2018!
Sandlot Football. Ernie Barnes, acrylic on canvas.Legacy in Black, an exhibition of work by local African American artists, is now on display at the San Diego History Center in Balboa Park.I’ll Fly Away. Manuelita Brown, bronze with painted wood base, 2003.Coming to Jones Road Part II #5, Precious, Barn Door and Baby Freedom. Faith Ringgold, acrylic on canvas with fabric border, 2010.The Valley. Jean Cornwell Wheat, acrylic on canvas, 2014.Gridiron Hero. Ernie Barnes, acrylic on board.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
You can easily explore Cool San Diego Sights by using the search box on my blog’s sidebar. Or click a tag! There are thousands upon thousands of photos for you to enjoy!
Third Victoria, oil on canvas, 1959. Jorge Gonzalez Camarena, Mexican, 1908-1980.
The impressive, first-ever exhibition of Modern Masters from Latin America is now on display at the San Diego Museum of Art in Balboa Park. On Christmas Eve I was given a special tour of this exhibition, and I must admit it’s fantastic! For a limited time, visitors have the rare privilege to experience one of the finest collections of modern art in the world.
Modern Masters from Latin America: The Pérez Simón Collection contains almost a hundred memorable paintings, by the likes of Frida Kahlo, Diego Rivera, José Clemente Orozco, Joaquín Torres-García, Fernando Botero, Alfredo Castañeda and Fernando de Szyszlo. Many nations, cultures, themes, moods and styles are represented. You’ll see impressionistic landscapes, lively scenes depicted through the lens of cubism, weirdly rendered surrealism, and mind-bending, eye-teasing abstraction. Many of the works reflect different Latin American national identities. Many contrast modernity with the culture and memory of indigenous people.
I was struck by the deep emotion that radiated from most of these works. I detected human pride and passion, childlike innocence and gnawing guilt, deep love and intense anger, inexpressible suffering and irrepressible joy. These emotions were often presented in confused contrast.
One masterful work by Frida Kahlo titled Girl from Tehuacán, Lucha María or Sun and Moon shows an innocent girl sitting between ancient symbols of night and day–the Pyramid of the Moon and the Pyramid of the Sun at Teotihuacan. She is seemingly lost in a barren desert, a model of a World War II bomber in her hands. Her quiet expression contains resignation and sadness.
My few photos here are a modest representation of the actual exhibition. To see the true colors, the touches of light and seeping darkness, the diverse textures and stunning vibrancy of these many paintings, head down to the museum while you can. You might not have a chance to see this amazing collection again.
Modern Masters from Latin America is on display at the San Diego Museum of Art through March 11. Among the fantastic works are two by Frida Kahlo, but to see those you must visit by January 14.
A visitor to the San Diego Museum of Art explores Modern Masters from Latin America, from the Perez Simon Collection.Aqueduct, oil on canvas, 1918. Diego Rivera, Mexican, 1886-1957.Ship Graveyard, oil on canvas, 1930. Benito Quinquela Martin, Argentinian, 1890-1977.Crying Woman, pyroxylin on Masonite, 1944. David Alfaro Siqueiros, Mexican, 1896-1974.Death in Life or Black Christ, acrylic on plywood, 1963. David Alfaro Siqueiros, Mexican, 1896-1974.Young Girls with Shells, Duco on canvas, 1945. Mario Carreno, Cuban, 1913-1999.City of Quito, oil on canvas, ca. 1980. Oswaldo Guayasamin, Ecuadorian, 1919-1999.The Mexican or Young Woman with Rebozo, oil on canvas, 1935. Agustin Lazo, Mexican, 1896-1971.House Eight, oil on canvas, 1978. Fernando de Szyszlo, Peruvian, 1925-2017.The Native, oil on canvas, ca. 1936. Alfredo Ramos Martinez, Mexican, 1871-1946.Girl from Tehuacán, Lucha María or Sun and Moon, oil on Masonite, 1942. Frida Kahlo, Mexican, 1907-1954.Constructive Composition in Planes and Figures, oil on canvas, 1931. Joaquin Torres-Garcia, Uruguayan, 1874-1949.Concert, oil on canvas, 1941. Emilio Pettoruti, Argentinian, 1892-1971.Peasant, Industrial, and Intellectual Work, oil on wood, 1956. Jorge Gonzalez Camarena, Mexican, 1908-1980.World’s Highest Structure, oil on canvas, 1930. Jose Clemente Orozco, Mexican, 1883-1949.Green Structures, oil on canvas, 1964. Gunther Gerzso, Mexican, 1915-2000.Study for The March of Humanity, oil on recovered plywood, ca. 1968-69. David Alfaro Siqueiros, Mexican, 1896-1974.Portrait of Maria Felix, oil on canvas, 1948. Diego Rivera, Mexican, 1886-1957.
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I recently published an odd, moving short story about a world made of bones. You can read it here.
Gazing down at San Diego Bay from Cabrillo National Monument on Point Loma.
Here is a modest gift for my readers, and for the city I love.
This small taste of San Diego has been assembled from a variety of photos. A few are recent; others are from the past couple years.
Walk around San Diego and you will never go hungry. Every day presents a new feast for the eyes!
A couple rides bicycles along the Mission Beach boardwalk on a perfect day.Someone reads daily information posted on Mission Beach’s lifeguard station.A big peace sign atop the roof of USA Hostels Ocean Beach.Walking slowly near the surf along Torrey Pines State Beach.A bicycle, a fine way to travel through a sunny city.Diners sit outside the West Coast Tavern in North Park. The building is a former movie theater.Fun street art in North Park, one of many cool neighborhoods in San Diego.Visitors on a tour in Old Town San Diego State Historic Park learn about our city’s unique origin and early years.Colorful, festive Mexican-themed artwork adorns a gift shop in Old Town.A small memorial among fallen blooms on Presidio Hill above Old Town.Guns once used to train Navy sailors. Relics from military history at Liberty Station, site of the former Naval Training Center San Diego.Visitors to Balboa Park enjoy a walk along El Prado, near the Casa de Balboa and House of Hospitality.People play Jenga on the grass near Sefton Plaza in Balboa Park.The iconic El Cortez rises in the blue San Diego sky. I feel very fortunate to live on Cortez Hill, a beautiful corner of downtown.A small produce business in East Village.The historic Our Lady of the Rosary Church in Little Italy.A fountain on the east side of the County Administration Building.Volunteers work on the Star of India, world-famous tall ship of the Maritime Museum of San Diego.A busker and bicycle near the USS Midway Museum and Greatest Generation Walk.Sunset and sailboats on San Diego Bay.People have fun boating out on the water.Feet dangle over the water at Embarcadero Marina Park North.The classic Broadway Fountain and nearby downtown buildings. Photo taken one morning in Horton Plaza Park.The moon in the sky above a historic building in the Gaslamp Quarter.Life and color at Lane Field Park on San Diego’s Embarcadero.Riding recreational watercraft past the beautiful downtown San Diego skyline.
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I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or Twitter!
Cool San Diego Sights! 