Tag: complexity

3D printing rocks as art in La Jolla!

A rather unusual exhibition of art can now be viewed in La Jolla at the Athenaeum Music & Arts Library. Yes, those shelves in the above photo are full of 3D printed “rocks!”

They’re actually a kind of lightweight plastic material, but they do resemble black volcanic rocks. Visitors to the Athenaeum’s Joseph Clayes III Gallery can watch a rock being printed and handle a specimen and consider the deeper meaning of Nolan Oswald Dennis: Demonstrations (i).

As the exhibition webpage explains, this collection of art, selected by The Athenaeum and INSITE from many entries, is informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures.

A further description in the gallery includes: This artwork explores the political and spiritual history of the land in South Africa as a proxy for an after-history of the planet as a discontinuous but interrelated whole, imagining that we can use the digital shadow of a simulated rock (the thing without itself) to hold the immaterial social, spiritual and political relations which are also part of the geo-physics of the planet.

I’m afraid I’m not terribly sophisticated, so those explanations are a little beyond me. It struck me the exhibition is about something that is universal: the enormous complexity of essence and connection. That’s probably too simple.

Visit this very unique exhibition, turn over a simulated rock, and arrive at your own particular conclusion!

Nolan Oswald Dennis: Demonstrations (i) can be experienced through January 17, 2026.

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Eduardo Chillida’s amazing sculptures in San Diego!

Fantastic public sculptures by world-renowned Spanish Basque artist Eduardo Chillida stand in cities around the globe. San Diego is fortunate that many Chillida sculptures–large and small–can now be experienced in an important exhibition at the San Diego Museum of Art!

Eduardo Chillida: Convergence includes dozens of amazing abstract pieces that challenge museum visitors with their visual complexity.

Many of these sculptures combine sharp angles with sinuous curves, and are puzzle-like. They can make one wonder about the composition of reality–how space and matter interact.

As the San Diego Museum of Art web page explains: Each of these creations are points of convergence where myriad forces, including nature and culture, material and immaterial, form and void, all meet.

I like how many of the sculptures appear like paper cut in irregular ways with scissors then twisted impossibly every which way. Gazing at the sculptures from different angles, I wondered if their divergent parts could somehow be pieced together.

They somehow recall that three-dimensional puzzle cube I once played with as a boy. One docent at the museum told me a child called these sculptures Puzzles of the Gods. How appropriate!

The sculptures can be made of oak, iron, alabaster or other earthy materials. There are also works on paper. For very abstract works of art, they are strangely natural, weirdly familiar. Chillida liked to call himself a realist sculptor.

Visitors have the opportunity, for an additional five dollars, to experience a virtual reality flight around Comb of the Wind XV, Chillida’s famous installation that rises above the bluffs of La Concha Bay in San Sebastián, Spain.

This awesome exhibition continues through February 8, 2026 at the San Diego Museum of Art.

Stimulate your eyes and brain and go see it!

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Listening Project embraces our common humanity.

During my walk through Balboa Park today, I came upon a quietly smiling gentleman in a lawn chair with a poster in front of him. I had stumbled upon the Listening Project.

Joshua was very welcoming as I asked him about his Listening Project. He said his only intention was to listen to people if they decide to engage. He’ll listen politely to absolutely anything you might say.

Joshua believes everybody needs to be heard, and that listening is a gift we give to other people. Our listening lets people know that they matter.

Our listening also helps us to grow as human beings.

Actually hearing and considering the thoughts of other people, I have to agree, is an essential part of being thoughtful ourselves–no matter what that other person might say. Nobody is exactly alike. We are all fallible, complex and have our own unique life experiences.

In these days of social media, which seems to reward division, deceit, name calling and unabashed rudeness, polite, thoughtful one-on-one listening seems more important than ever.

Sadly, it also seems we human beings can be a bit self-absorbed. Sometimes when we converse we are more concerned about what we will say, rather than what the other person is saying. We talk over each other. I can be guilty of this, myself.

Joshua listens confidentially and doesn’t judge. As his website explains: The idea for the Listening Project first came to me around three years ago. The idea was very simple: set up a couple of chairs in public places and offer people the opportunity to speak uninterrupted about anything they wished for five or ten minutes, with the promise that if they did so I would really listen.

Does he have some ulterior motive or hidden agenda? Merely this: I believe that through listening and connecting we can: shed fears or anxieties we hold about reaching out to ‘strangers’; cast off the stereotypes we live with; build bridges across the boundaries that we have created and which divide us; reduce the loneliness that many of us feel; and gain insight into what it might take to create broader ‘communities’ in our lives.

Yes, Joshua is out of the ordinary. In a very, very good way!

He wouldn’t mind if others followed in his footsteps, but he’s very humble about his “experiment” and wishes only that people choose their own path.

Are you curious about the Listening Project? I urge you to check out its website here!

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

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AI images: San Diego 100 years in the future!

What will the city of San Diego look like 100 years in the future? I was curious how today’s generative AI might picture it.

I used the prompt “San Diego 100 years in the future” with the AI Drawing Assist on a Samsung Galaxy phone. The images that were produced were rather startling!

Futuristic buildings, exotic elevated walkways and new modes of transportation…but how realistic is it to believe such radical transformations could be made in only one hundred years? (Um…anti-gravity?)

Nevertheless, this is pretty cool!

I see identifiable aspects of the present city skyline are incorporated into images, as well as San Diego Bay. Notice how certain recognizable buildings are arbitrarily positioned or weirdly altered by the artificial intelligence?

I love how lush green vegetation sprouts everywhere including the roofs and sides of many buildings. I love how curvy and absurdly complicated some of the conjectured architecture is!

(Earlier this year, I performed a similar experiment. I used the term “Balboa Park at sunset” to produce generative AI images in the same way. The results were bizarre. This is what I got!)

Okay–now for today’s experiment. AI draws the future of San Diego…

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

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Hoover High School students exhibit at MCASD!

An exhibition at the Museum of Contemporary Art San Diego features art by students who attend Hoover High School in City Heights. Across the Chaparral includes the work of students in two classes: Advanced Drawing and Painting, and AP English Language.

The students, after viewing and learning about relevant pieces in the museum, were asked to interpret contemporary life in our complex, uniquely dynamic, culturally diverse border region.

Across the Chaparral can be experienced in the museum’s Axline Court, a magical architectural space that I blogged about yesterday. See those photographs here.

Here is some of the student art…

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

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Magical light and form inside the Axline Court.

How does one describe the Axline Court inside the Museum of Contemporary Art San Diego?

Magical, perhaps?

Should you ever visit the museum in La Jolla, step into this space and look up. Move about as your eyes are lifted. See how the light and form changes as if by magic. (Come to think of it, doesn’t the entire world operate this way?)

The Axline Court was designed by famed postmodern architect Robert Venturi. It was part of a 1996 expansion of the historic building, which originally was home to newspaper journalist and philanthropist Ellen Browning Scripps.

The star-shaped Axline Court, a spacious atrium with simple white columns, bright high angled windows, and curvaceous neon fringed fins descending from the ceiling, was retained in the building’s latest redesign and expansion. Today it can be used as a gallery, or for weddings or special events.

I wandered about the space and took these photos. You have to experience the magical effect yourself. I personally wonder how, with the neon, it appears at night.

(My next blog post will concern an exhibition of art by Hoover High School students along one wall. You can glimpse a bit of it on a table in the next photo.)

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

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Everything in Its Place in Escondido.

Self-Portraits with Underwear Pulled Too High, Matthew Freedman, 1995. Acrylic on plaster.

Today a new exhibition opened at the museum of the California Center for the Arts, Escondido. Everything in Its Place: Selections from the Permanent Collection features a surprising variety of pieces.

The museum’s webpage explains how these works explore the shifting relationships between abstraction, the human form, and the environments we inhabit. In other words, the art explores just about everything and anything.

I found myself pausing before certain complex pieces, enthralled. And so many different materials! One unusual sculpture is made almost entirely of glass. There are creations on cardboard and on linen. One piece, created during the museum’s inaugural artist-in-residence program, is a ten-foot wall of open wooden boxes containing found objects–like thoughts or memories in the compartments of one’s mind.

I took photos of a few examples.

There’s humor, too. Look closely at my first photograph!

Untitled, Mark Jackson, 1983. Oil on cardboard.
In the Sun’s Blood, Doris Bittar, 1997. Oil on linen.

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

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Stories that connect us in Oceanside.

Currently running at the Oceanside Museum of Art is an exhibition titled The Stories that Connect Us: Selections from the OMA Collection.

Each work by 35 Southern California artists is like a unique story that invites you to think, interpret, dream–and thereby become part of the same story. Your inclusion in each artwork’s story might be untold, but it is real.

The museum’s collection contains diverse pieces in different styles, some by highly renowned artists such as John Baldessari and James Hubbell.

I was surprised to learn the Baldessari piece in the exhibit was painted circa 1959, before the artist burned “all” of his work. His Wikipedia page explains: In 1970, Baldessari and five friends[8] burnt all of the paintings he had created between 1953 and 1966 as part of a new piece, titled The Cremation Project. The ashes from these paintings were baked into cookies… This painting survived.

Here are a few photos. If you’d like to become an integral part of these stories, visit the Oceanside Museum of Art by August 31, 2025.

(Forest), John Baldessari, circa 1959. Oil and mixed media on canvas.
Star Stalker, Walter Wojtyla, 1996. Acrylic on canvas.
Influx, Toni Williams, 2023. Oil on canvas.
Untitled (Two Figures with Purple/Pink/Orange Skies), Janet Cooling, 1980s. Oil on canvas.

The following James Hubbell watercolor includes a poem that he wrote in 2004. To read it, visit the museum!

The exhibition also includes two small, typically beautiful Hubbell sculptures.

In the Beginning, James Hubbell, circa 2007. Watercolor.

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

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Dreams, sleep apnea, and the art of Mary Jhun.

The current exhibitions at the Oceanside Museum of Art include Mary Jhun: In Losing Sleep, I Painted. The surreal work of Mary Jhun, who works out of Escondido, is presented in one of the museum’s upstairs galleries.

I wanted to see this exhibition because I’ve photographed several of her beautiful murals around San Diego in the past. If you’re curious, here’s one in San Ysidro, here’s another in City Heights, and here’s one more in North Park. (Sadly, I believe the one in San Ysidro was later removed.)

I didn’t know until now that Mary Jhun suffers from sleep apnea and must use an uncomfortable CPAP machine to help her breathe at night while sleeping. The Oceanside Museum of Art exhibition explores how it affects her life, creativity, and very importantly, her dreaming.

You can see her dreams in her artwork. Her pieces typically depict female faces and figures, which she calls The Girls. The Girls are elaborately drawn complex creations, filled with organic life, often entwined with machinery and strange architectural forms.

As the exhibition webpage explains: Jhun’s goal is to allow the viewer to feel understood, to question what they see, and to understand reality through a deeper lens, outside of the norm and into a place beyond realism. Her imagery of “The Girls” represents an inner self, one that is culminated in many alternate versions of what is or can be.

I love artwork that makes you stand a long while, gazing, thinking, feeling and wondering. Mary Jhun’s fine art certainly does that.

The exhibition continues through June 15, 2025.

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

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The Splinter in the Eye–of La Jolla.

The provocative title of the current exhibition at La Jolla’s Athenaeum Music & Arts Library is The Splinter in the Eye. Does artist Carlos Castro Arias want the viewer to remove the log in their own eye before offering criticism?

The mixed media, sensory installation challenges a naïve view of the world. To me, it appears to highlight historical disruptions and destruction resulting from developments brought on by civilization. It also suggests the ultimate failure of human ambition–the materialism and the conceits.

One thing is certain. These works by the artist can make one feel uneasy.

Severed limbs, the severed head of missionary priest Junipero Serra in a birdbath, visions of dripping blood and a baptismal pool of blood, bloodlike crosses projected onto the floor as if through the stained glass of a cathedral, dead taxidermy birds from a museum, fractured relics, plants growing through skeletons and blue jeans…all framed by rigid two-by-fours, as if the unstoppable construction of new things divides and overwhelms all.

Pieces in the exhibition have bizarre titles like Eating the Guts of Those Who Loved Me, Botox Against the Machine, Caffeine Overdose, and (don’t shoot the messenger, please!) Borderline Retarded. Yes, the effect of it all is rather depressing. Apart from representations of the ancient and the natural world, there seems to be little or nothing envisioned that is hopeful.

I know, many artists like to shock people with criticisms of modernity–in particular Western Civilization and its Christian heritage–but is the world of today really that bleak?

My question is: has the artist removed the log from his own eye?

Now I’m in trouble, I suppose.

Perhaps my attempt at interpretation is terribly uninformed. Perhaps I’m overreacting.

If you’d like to explore this bold artwork and come to your own conclusions, head on down to the Athenaeum Music & Arts Library in La Jolla before the exhibition ends on January 11, 2025.

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I post new blogs pretty often. If you like discovering new things, bookmark coolsandiegosights.com and swing on by occasionally!

I live in downtown San Diego and love to walk around with my camera! You can follow Cool San Diego Sights via Facebook or X.

Thank you for sharing!