Close-up photo of one tile panel in a long mural, which is located on a wall near the Cesar Chavez Park playground in Barrio Logan.
Relatively few people know about a fascinating mural in Barrio Logan. Dedicated art and history lovers can find it at the very edge of San Diego’s beautiful bay, between the Tenth Avenue Marine Terminal and the base of the Coronado Bridge.
The mural is located in Cesar Chavez Park, on a long wall just north of the playground. Created by Dale Marsh/Tile Artisans, it consists of eleven ceramic tile panels depicting half a century of local history–from the 1900s to the 1950s–through the use of vintage photographs. Images fondly remember the day-to-day life many San Diegans in this predominantly Mexican American neighborhood experienced while growing up and working on our busy waterfront.
A brief description of each panel is contained in a nearby plaque also composed of tiles. I’ve transcribed most of the words and have used them in my photo captions.
Looking north past the Cesar Chavez Park playground at an interesting public mural that depicts local history.Descriptions of the eleven panels in the mural, which depicts Logan Heights in its Golden Years, 1900 through 1959.Aztec Brewery Art Ensemble adorned the ceiling and walls of the Rathskeller and Beer Tasting Room of the brewery in the early to mid 1900s on Main Street.Hoop skirts, 1932 Model T car with rumble seat and white 1936 Ford, Metro Theater usherette twins, model parents of the era, neighborhood Rhythm and Blues bands and their followers.Papa Chuey founding proprietor of Chuey’s Restaurant cashed checks and provided credit accounts for fishermen and cannery workers in hard times.Nifty Fifties teen scene in “The Heights” spotlights Physical Education class, jitterbug dancing and positive socialization. Friendship was a true binding factor among teenagers.Tuna boats filled with tired fishermen arrived at the tuna canneries bringing work for hopeful dockworkers and cannery workers. Their arrival meant livelihood for countless families.This 1948 Cannery Workers group photo depicts the numbers and spirit of the work force of the various canneries of San Diego’s Cannery Row.The “Leona C – San Diego” fishing crew portray the faces of the hard working men who in turn provided for numerous jobs for entire communities.Logan Heights landmarks include the street car at 5 cents per ride . . . the beautiful earlier architecture of Our Lady of Guadalupe Church and Las Palmas nightclub . . .Community social groups fostered a healthy and happy neighborhood where age gaps did not exist. Neighbors watched out for each other and provided a safety net for the youth.Teen social clubs such as Los Gallos, Los Chicanos and the Drifters comprised the Southeast Youth Council, which was sponsored by the Old Neighborhood House.Neighborhood House provided many community programs including Rondalla musical groups for women. Lupita, far right first row, is a legend in Logan Heights.
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Caution sign warns of flying pigs. It hangs outside the rear wall of Kansas City Barbeque.
Here’s some funny stuff I’ve photographed while walking about downtown San Diego. You might or might not laugh!
Downtown tattoo parlor window contains sign indicating Walkens Are Welcome.This wonderfully tasteless shirt in a restaurant window reads Dick’s Last Resort…Helping Stupid People Breed Since 1985.I’ve seen small cars, but none this tiny! A NO PARKING FIRE LANE traffic sign stands next to a narrow pedestrian path.A very silly–and possibly true–assertion at Simon Says Coffee in the Gaslamp Quarter. Coffee Is The Most Important Meal Of The Day.
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Lady promoting San Diego’s upcoming Fall Back Festival goes nose to nose with a friendly hog.
In two days a large number of characters from the Old West will be roaming the streets of modern San Diego. During the Fall Back Festival, which takes place this Sunday, November 8, between 11 and 4, several blocks of the Gaslamp Quarter will be transformed into a 1880s frontier town!
Visitors to the free event will be able to enjoy all sorts of historical exhibits, not to mention a saloon, a penny candy store, a town jail, hay and pony rides, panning for gold, butter churning, candle dipping, and a Wild West Show! Wow! I went last year and it was a lot of fun!
During my walk this morning I happened upon some folks promoting the event for the local NBC television news station. They were hanging out near the entrance to the William Heath Davis House Museum. Sneaky me… I took some pics!
Ladies in frilly dresses linger between television shoots promoting San Diego’s Fall Back Festival. The annual event, which takes place near the William Heath Davis House Museum, will recreate a 1880s frontier town.A tough Western character hangs out with a silly balloon twister. This bench is beside the historic William Heath Davis House in downtown San Diego.Two gentleman from the Old West converse on Fourth Avenue sidewalk in San Diego’s modern Gaslamp Quarter.
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View of the lit dome of San Diego’s downtown library, seen from the 9th floor at night.
Yesterday evening after work I walked a bit in the darkness. The air was cool, downtown was quieting. I was drawn to the San Diego Central Library, and of course I had to ascend to the 9th floor. Few others were about. I lingered high above the city, outside under the lattice steel dome. I watched small trolleys slip past below. A thousand distant lights stretched toward the South Bay. The world seemed remote. Paths of gentle light were traced above, around and below. I seemed to float in a swirled galaxy; but I saw no stars.
Inside a glowing steel lattice. The new library’s dome in the past couple years has become a distinctive feature of San Diego’s skyline.Gazing through the unique dome toward the 12th and Imperial Transit Center’s clock tower.Nine stories below, a trolley heads north into the heart of East Village.Looking down into the large reading room of the San Diego Central Library after dark. Under the dome, people were quietly studying, or just gazing out into the nighttime.Meshed paths of light seem to radiate like a halo from the top of San Diego’s amazing downtown library.
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Super cool street art on side of building on University Avenue in Hillcrest.
A month or so ago I enjoyed a pleasant walk down University Avenue in Hillcrest, a neighborhood just north of downtown San Diego. I spotted a whole bunch of colorful artwork, which I’d like to now share. In no particular order:
I don’t know if this qualifies as street art, but I like this cool Jack in the Box sign.Exist1981 street art on a corner of University Avenue in Hillcrest, San Diego.Fun chalk art sign in front of Fiji Yogurt.Long blue hair becomes ocean surf. Artwork painted on California Coast Credit Union.A colorful image of wine and grapes seen during a walk through Hillcrest.Filter…Where good things happen!More cool street art in Hillcrest has a mythical, possibly Egyptian appearance.I was told by a worker at this thrift store that the rainbow-like mural is a work in progress.This large bold spray paint mural on University Avenue is signed by artists Fizix, Revolver, Eyemax 2015.This is the best photo I could get of a really long colorful mural along a rooftop. I see James Dean and Muttley!Live a great story. Sticker on a utility box.A school of fish on an electrical transformer box.A windtorn mountaintop meditation, face in hands.
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Glowing orange clouds at day’s end, and the California Tower in silhouette. Photo taken from Plaza de Panama in San Diego’s Balboa Park.
Days are rapidly becoming shorter. My evening walks after work have magically changed. Bright sunshine has become twilight. Clouds glow like embers as darkness descends.
Here are two photographs I took this evening during a short stroll through the heart of Balboa Park.
A dramatic end to an October day. Photo of iconic California Tower in San Diego’s Balboa Park as night falls.
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Sunrise in downtown San Diego. Photo taken from Eighth Avenue and A Street.
Early yesterday morning I walked down Eighth Avenue, from the top of Cortez Hill to Petco Park. Here are a few random, interesting photos…
Blue Sky apartment tower under construction in downtown San Diego.Cool street art visible from Eighth Avenue, south of Broadway.Early morning activity in front of Lucky D’s Hostel.Some faded utility box artwork on a sidewalk in San Diego’s East Village.A boy jumps rope on one October morning in a downtown San Diego parking lot.Birds in a row atop a street lamp. Bright clouds as day begins.Surveyors have begun their work early in a parking lot beside Market Street. Another utility box with colorful street art.The recently completed Sempra building, just north of Petco Park, reflects clouds and blue sky in the morning.Worker inside old brick building that is being renovated. Cool posters in windows advertise Underground Elephant.
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Molten bronze is poured in the foundry of the USS Ajax. Historical photograph of the Navy Bicentennial Commemorative Plaque being created. Photo credit: United States Navy.
A few days ago I received new information about an important bronze plaque, which was created in 1975 to commemorate the United States Navy’s 200 year anniversary. The historic Navy Bicentennial Commemorative Plaque stands today on San Diego’s Embarcadero, on the Greatest Generation Walk next to the USS Midway Museum. Thousands of people breeze past it every day.
People pass the Navy Bicentennial Commemorative Plaque, displayed on the Greatest Generation Walk near the USS Midway Museum. Photo taken October 17, 2015.Photo of Navy 200 year commemoration plaque courtesy the Port of San Diego.
When I first saw the old plaque, I could find absolutely nothing about it on the internet. So I originally posted this blog. As new information trickled in–sometimes out of the blue–I posted this and this.
I was recently contacted by one of the plaque’s creators. He has provided detailed information about its history, including three amazing photographs and nine scans of a typed News Release from 40 years ago. The text of the News Release does not appear online, so I carefully transcribed the words. That way a very important bit of San Diego and Navy history won’t be lost.
(I tried to transcribe exactly, including possible misspellings. I’m not certain about the spelling of some names in the photo captions.)
If you know more about this plaque and would like to add some information, please leave a comment below. If you’d like to contact me, but don’t want to have your comment published, then please tell me that and I’ll email you.
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 1.
NAVY COMMEMORATIVE PLAQUE
by Pat Sutton
San Diego . . . . . The actual presentation of a plaque by the Navy to the people of San Diego on October 3, 1975 is the end of the story.
One might say the plaque story began October 13, 1775. On that day the Continental Congress authorized the fitting out of ships for the Continental Navy. This action constituted the first naval legislation and became the genesis of the U. S. Navy.
The skills and spirit which forged the Navy of 1775 also forged the commemorative plaque in 1975 . . . . .
In the spring of this year, representatives of various commands in the Eleventh Naval District met to discuss plans for celebrating the Navy’s 200th birthday. The group reviewed the heritage, the building of proud traditions, the horizons of the Naval Service. It was decided to hold a great celebration
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 2.
to honor the Navy, its members past and present, the nation and San Diego – so long a part of the life, the heritage and tradition of the Navy.
The plaque story developed in an uniquely traditional Navy way. The Navy’s microcosmic capabilities began to surface and swing into action.
Civilian Mrs. Jo Palm is the Visual Information Specialist for the Commander Naval Surface Force, Pacific. She also chaired the Navy Bicentennial exhibits committee. Jo conceived the idea that there should be some lasting remembrance of the occasion for the people of San Diego – perhaps a commemorative plaque would be appropriate.
Civilian Francisco (Cisco) Lopez is a designer with the General Atomic Company of San Diego. He is also a First Class Draftsman in the Navy Reserve. Tall, 28-years-old, Cisco is a 12-year Navyman, combining four years active duty with eight years in the Reserve. Last June he served his annual two weeks active duty in the Naval Surface Force Public Affairs graphics shop, reporting from his Reserve Unit with the Fleet Intelligence Center, Pacific.
“Jo told me her idea and we decided I should design something depicting 200 years of Navy history – along the lines of a plaque, but not like the usual plaque.”
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 3.
Cisco was raised in San Francisco and has lived in San Diego the past five years. He graduated from San Francisco State and hopes eventually to be a research historian or teacher.
“I have almost a passion for history. I’m taking a month off work in June ’76, I’ll be in Philadelphia on the Fourth of July. As an armchair military historian I really relished the opportunity to be a part of today’s history by designing a representation of our Navy over a span of 200 years”.
At the suggestion of her student husband, Mel, Jo Palm went aboard Mel’s former ship, USS Ajax (AR-6), with Cisco’s drawing and the question, “Can you make it a reality?”
For a fleet repair ship like Ajax, “can” is a reality because she is designed for heavy duty hull repair; to provide a full range of repair services to Navy units in remote areas.
On her way to see the Repair Officer, Lieutenant Commander Harley M. Oien, Jo Palm passed through the Patternmaker/Carpenter Shop, remarkably clean despite the several huge saws rasping, whining and spewing sawdust. She was escorted through the Heavy Machine and Shipfitter’s shops where expert Navy operators can literally rebuild a whole ship.
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 4.
Twelve-year Navy veteran, Chief Molder Marvin E. (Tex) Feasell of Baytown, TX, is in charge of the Ajax foundry. He recounts the meeting below decks in Mr. Oien’s office where he and a few key men, including Patternmaker First Class Ronald Gray, held a conference with Jo.
“We hashed, squabbled, explained our methods, discussed time frames, costs to the Bicentennial Birthday Fund, and most of all, the making of the pattern. That’s the critical area. That’s the make or break of the job”.
Tex Feazell learned his profession when he was sent to the Moulder “A” school right out of Boot Camp in 1963. He reported aboard Ajax in May 1974. He has a keen appreciation of the expertise of the Ajax crew, and a keen pride in its performance.
“We have one of the most hard charging crews in the fleet. The people are hard charging – hit it! Hit it! We wanted to show our skills. We wanted to make that plaque for the Navy and for San Diego. We didn’t know for over a week if we would get the job. It made us feel proud when we heard we were going to do it”.
And so the “make or break” responsibility of the Navy’s bicentennial birthday memento to San Diego was enthusiastically assumed by Patternmaker Ronald Gray, who applied his
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 5.
Navy-learned skills to transform from drawing to working pattern the impression of 200 years of the United States Navy.
Ron has not always served in the time honored rate of Patternmaker. He joined the Navy shortly after he graduated from high school in Olympia, WA, and served his first hitch as a Commissaryman. A friend, appreciative of his carving hobby, suggested Ron reenlist under the Navy’s SCORE (Selective Conversion) program and be schooled as a Patternmaker.
Now, after 7 1/2 years in the Navy, 2 1/2 aboard Ajax, this craftsman laid the historical design out, carved his first figures in bas relief, glued them on board, then build up the other details. The pattern for the 30″ x 24″, 150 pound metal plaque would end up basically wood and plaster, however, the rope detail was real rope!
The Spirit of ’75, the hallmark of the Navy, nowhere better manifested itself than aboard the USS Ajax as the work progressed.
Patternmaker Third Class Roger Richie of Denver, CO, was a millman in civilian life and when he joined the Navy he wanted to be a carpenter. But at the time, there was no billet open at the carpenter school.
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 6.
“Now I think I got lucky, because I was sent to Patternmaker’s School. There’s not too many of us in the Navy, or in the country, for that matter. So by what you might call a ‘freak accident’ I was here to help Ron on the plaque. There’s pride in this job”.
The Ajax Dental Department loaned Ron Gray tools for working on the intricate wax carvings, and a dental drill for final sanding. The ship’s Dental Officer, Commander Roger E. Bisson of Helena, MT, enjoys woodworking and asked to carve the plaque’s Navy aircraft with his precision instruments.
“We all want to contribute. Gray is so willing to share the glory with the team, even though he has done most of the work”, Bisson said.
Below the gleaming metal decks, at the very keel of Ajax on the concrete deck of the foundry, Molder First Class William McCoy of Coshocton, OH, and his men were ready. McCoy spent his first four years in the Navy as a destroyer torpedoman. Then for ten years he was a civilian molder. Unable to wash the salt from his veins, he returned to the Navy a year and a half ago.
McCoy described his work, “The molding art is fairly unchanged since the middle ages. We use primitive tools, primitive casting methods. A person with an understanding of the primitive makes an excellent molder”.
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 7.
Then he turned to his bicentennial commemorative plaque assignment, “We’re looking forward to this job. The foundrymen will tussle with 700 to 800 pounds of sand and probably 150 pounds of molten metal. That’s a big pour”.
In providing the material for that “big pour”, the Navyman’s natural penchant for building on a proud tradition swung into action again. Commander William D. Collins, Public Affairs Officer for the Commander Naval Air Force, Pacific Fleet, remembered the legendary aircraft carrier USS Bunker Hill (CV-17). A World War II combatant, Bunker Hill, was nicknamed “Holiday Express” because from November 11, 1943 to May 11, 1945, when she sustained crippling bomb and Kamikaze hits, she had conducted ten major strikes on holidays. During this brief period she had run up a combat record of 430 enemy planes destroyed in the air; 230 on the ground; 146,803 tons of enemy shipping sent to the bottom and 20 enemy planes shot down by her antiaircraft batteries.
In 1947 Bunker Hill was decommissioned. In 1965, 22 years after her commissioning, the old warrior was fitted out as a research facility for the Naval Electronics Laboratory Center, San Diego. She became a San Diego landmark moored in the bay off North Island Naval Air Station as she served as a floating laboratory for seven years.
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 8.
“The Bunker Hill was stripped of her brass and bronze fittings prior to her scraping in late 1972”, Commander Collins reported at a Bicentennial Committee meeting, “this was molded into ingots. Some of the ingots still remain and are stored at the Naval Station in Honolulu. We would be honored to have Bunker Hill permanently a part of San Diego. The Pacific Naval Air Force will provide her brass and bronze for the plaque”.
And so it was done.
In August Jo Palm called Cisco Lopez with the news that the plaque was to become a reality. Cisco told Jo of an uniquely Navy coincidence. “For my 1975 active duty tour I was stationed on Ajax! I designed ducting for ventilation of a spray booth. Great crew! I never expected to work with them again”.
On September tenth, after the sand had been rammed around the pattern and the pattern removed, leaving its historic impression (the negative), the excitement of expectancy on the Ajax foundry deck rose even as the metal of old Bunker Hill rose toward the proper temperature to pour.
Participants, both active and anticipating, ranged from Jo Palm and Cisco Lopez; Navy combat cameramen and photographers; to the molders, firemen, and as from the beginning,
Navy Commemorative Plaque News Release. Navy Bicentennial, October 3-13, 1975. Page 9.
Patternmaker First Class Ron Gray, whose work would not end until his bicentennial plaque received its final buffing.
In the seething depths of Ajax the bronze flared at 1850 degrees Fahrenheit and was poured at 1900 degrees Fahrenheit.
Emerging from the plutonic foundry floor, Molder Third Class Forrest L. (Lee) Garland of Longview, TX, removed his zinc-deposit-coated face mask saying, “A molder’s job is to know hear; how hot to pour, how much to pour in a little hole. We did a job today. And it was good.”
Lieutenant Commander Oien observed, “The men generated the enthusiasm for the plaque. If they had not wanted to do it, I suppose it could have been forced. Instead, it was a labor of love”.
At the San Diego Bay embarcadero, on Broadway Pier, permanently ensconced in a handsome planter, the Navy Bicentennial Commemorative Plaque is inscribed:
Dedicated to the People of San Diego
By the United States Navy
1775 – October 13 – 1975
Tex Feazell and Ron Gray with the first wood carving and the original drawing. Photo credit: United States Navy.Patternmaker Kevin O’Connor, Molder Jessie Lopez, Molder Lee Garland, Patternmaker Roger Richie, two unidentified Molders, Bill McCoy and Ron Gray. Photo credit: United States Navy.
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Orange and yellow logo of visiting Norwegian Sun cruise ship reflected on rippled water in San Diego Bay.
A big rush this morning. But I had enough time to walk down to the Broadway Pier. Slowing myself for a few moments, breathing in fresh air, I was enchanted by the surrounding quiet, the growing morning light, and mysterious reflections.
Bow and bridge of the Norwegian Sun, docked at the San Diego Cruise Ship Terminal. The image is reflected in the orange and clear windows of a nearby gift shop.Early morning light at San Diego’s Broadway Pier. The Coronado ferry has begun another trip across the quiet, glassy water.Reflection of downtown San Diego’s nearby skyline in the windows of the Port Pavilion. Photo taken as the sun climbs above building rooftops, from the Broadway Pier.
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Amazing artist at 2015 Festa in San Diego’s Little Italy. Smiling, she shows me the source material for her Balboa Park themed chalk art!
Brace yourself! Here come dozens of super cool photos! Check out the amazing chalk art created today for 2015 Festa in San Diego’s Little Italy! The special theme this year is the centennial of Balboa Park!
Gesso Italiano chalk art is a tradition at Little Italy’s Festa, and every year I’m blown away by all the colorful creations. Most of the images this year are inspired by beautiful Balboa Park, or paintings or artifacts contained in its museums. I arrived to take photos about an hour before the event opened, and many artists were still hard at work. I spoke to one who said their masterpiece took about seven hours to complete. Now that’s dedication to art!
I’ve inserted the team name at the beginning of each caption. Enjoy!
Cecelia Ramos Linayao. Face of child riding Balboa Park’s hundred-year-old carousel, which debuted in 1915 for the Panama California Exposition.Lesley Perdomo. Madonna and child, a popular theme of Gesso Italiano artwork.Robert Guzman. I believe this might be a hippo at the world famous San Diego Zoo in Balboa Park!Tonie Garza. The iconic El Cid Campeador statue in the Plaza de Panama. Chalk art celebrating Balboa Park’s centennial in 2015.Team Parada. A beautiful face with elaborately styled hair.I didn’t get the team name, but this exquisite white chalk portrait was one of my favorite pieces at this year’s Festa in Little Italy!Before the Festa event opens, chalk artists work to finish their creations. The art covers two blocks of Beech Street in downtown San Diego.Squadra Terun. A vividly colorful flower. Perhaps this depicts a scene from Balboa Park’s reflecting pool.A bit of random chalk art on the street. I spotted this near the official Festa competition entries.Ciao! A chalk image of lilies and koi in the reflecting pool, and the Botanical Building in Balboa Park.I didn’t get the team name. The artist was working from what appeared to be a poster or advertisement with the word Ventimiglia, which is a city in Northern Italy.Lisa Bernal Brethour. Delicate white blooms formed of chalk.Brianna Cunha. This stylish Gesso Italiano art appears to possibly show bubbles, a glass of beer and wheat.Bijan Masoumpanah. This chalk art seems to depict a classic sculpture of a bearded head.Valerie Michelle. A super colorful parrot and tropical fish!Weenie Kingdom. One of the carved wooden horses from the historic Balboa Park Carousel.Salgado. Perhaps one can see this big cat at the San Diego Zoo!Killer Queens. Dinosaur skull represents what one is likely to see at the Natural History Museum in Balboa Park.Cobian. Figure in flowing red dress reclining on a couch.Team Arcala. Chalk interpretation of the historic Cabrillo Bridge and California Building. The artist had looked for hundred-year-old photos of the bridge under construction, but without success.Meg. A big smile and a boldly colored work of chalk art taking form on a San Diego street during 2015 Festa!Team Pinoy. California Tower and the words Balboa Park Centennial Celebration 2015.Team Chalkolate. Another chalk representation of the famous El Cid equestrian sculpture near the center of Balboa Park.Campo Elementary. These gifted students won first place last year! What will this chalk creation be?John Vaughn. Chalk version of ornate plaster designs above the west arched entrance to Balboa Park.Two blocks in Little Italy were full of rampant creativity this morning.Michael Zamora. Fantastic chalk face based on an Italian painting in the San Diego Museum of Art in Balboa Park.Art Within Reach. I thought at first this might be a dog in the lily pond. Then I thought it might be Moby Dick. It’s actually a polar bear at the zoo! No ears yet!Team Pierre. Vintage images take form as a skilled Gesso Italiano artist takes on the cool theme of Balboa Park’s centennial.Kira Lewis-Martinez. More cool chalk art with a nostalgic feel. The Panama California Exposition marked Balboa Park’s debut in 1915.Lydia Puentes Phillips. Very color koi swimming in the Balboa Park reflecting pool. Great chalk art that captures one of my favorite places!Raney and Talbott. These artists are basing their image on one of the elegant passageways along El Prado–specifically the one next to the Timken Museum.Coronado High School. A completed portion of what should eventually be a stunning work of art.Liberty Charter High School. A fun chalk art giraffe and zebra!Canyon Crest Academy. By far the most popular inspiration for this year’s Balboa Park centennial theme is the reflecting pool with its color-splashed koi and lilies.Lidia F. Vasquez. Wow! This elaborate mask is super inventive! It’s formed out of elements from Balboa Park’s unique architecture!Torrey Hills Elementary School. Gesso Italiano artwork is a tradition at the Festa celebration in Little Italy. I look forward to it every year!San Diego High School. A girl with a camera in the Botanical Building! I love it!Faithful Ambassadors Bible Baptist Academy. Cherry blossoms courtesy of the Japanese Friendship Garden! Is this awesome, or what?Washington Elementary STEAM Magnet, based right here in Little Italy! Lots of little colorful scenes along the border.Team Noni. A very colorful tiger comes alive on the street! More amazing zoo animal art!Julyen Ecoffey. Mother and child spending a sunlit day in San Diego’s wonderful Balboa Park.Cathedral Catholic High School. Lady with umbrella faces the Spreckels Organ Pavilion. Another great image.Sycamore Ridge Elementary. Not only are there lily pads and flowers in the reflecting pool, but there’s a Venetian gondola! And an Italian flag over the Botanical Building!Dos Mustachios. One of the two fountains near either end of the Botanical Building. The actual fountains were recently restored by the Friends of Balboa Park.Torrey Pines High School, National Art Honor Society. I could feast my eyes on this glowing chalk artwork all day long!Elisabeth Eckert. Abstract image of Moreton Bay fig tree roots, probably either near the Palm Canyon stairs or Natural History Museum.Mel Clarkston Art. It’s a green people mover! I see colored tiles from Spanish Village, flags from the International Cottages, and a butterfly from the Zoro Garden!Mount Miguel High School. Everyone loves the reflecting pool. The calm natural beauty is inspiring.San Pasqual High School. Classic images from Balboa Park rendered using simple, colored chalk. Fantastic!The creativity couldn’t be contained! It flowed right out of the specified boundary and onto the nearby asphalt!Steve Alan and Friends. Simple but captivating.Aaron Hernandez. This is crazy! Looks like Planet of the Apes! I’m guessing these are hip simians who hang out at the San Diego Zoo…Team Arancio. A portion of this chalk art resembles that cool mural painted earlier this year in Spanish Village for the Balboa Park centennial.Chalk Riot. Wow! I love this! The nice artist said she incorporated elements from throughout Balboa Park, including the facade of the Museum of Man.Godfrey’s. And finally a stooping giraffe. The San Diego Zoo is a favorite place in amazing Balboa Park.Soon thousands will crowd the street to enjoy this great chalk art. I swung by early and got photos of works in progress!
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