
The Timken Museum of Art in Balboa Park has opened a fascinating exhibition titled Reconsidering Bierstadt: Kent Monkman. Visitors to the fine art museum are encouraged to compare two similar but very different works: Albert Bierstadt‘s 1864 painting Cho-looke, The Yosemite Fall, and First Nation Cree artist Kent Monkman‘s 2012 work The Fourth World.
The photograph above shows Kent Monkman’s painting (on loan from the Denver Art Museum) which reimagines the Bierstadt piece in the light of a different perspective.
Bierstadt’s oil painting conveys a sense of rustic tranquility and natural beauty; the somewhat shocking bottom portion of Monkman’s bolder, brighter acrylic piece shows bison being frightened and funneled in Yosemite through sheer steel walls by white men with guns.
Monkman’s contemporary painting clearly expresses that an environment can be forcibly altered by the actions of humans. Like any good art, the image ignites complex thought.
I’m no expert when it comes to the history of Yosemite. Doing some online research, I was surprised to learn that, according to a National Park Service Facebook post: Here in Yosemite, though, bison have never roamed.
Here’s the bottom portion of The Fourth World:

The next photograph is of Cho-looke, The Yosemite Fall. It’s darker, vaguer, somehow more sublime. (The docent thought perhaps the painting needs to be cleaned.)
This Smithsonian website has a better photograph and explains: Bierstadt was inspired to paint Yosemite after seeing Carleton Watkins’s photographs in a New York gallery in 1862…In 1864, the year Bierstadt painted this view, President Abraham Lincoln set aside Yosemite as a protected reserve…

Head down to the Timken Museum of Art when they’re open and observe both canvases up close. When I visited, a friendly docent was standing by to answer questions and provide more insight.
The Timken, which contains many painted masterpieces, is always free! The exhibition will continue through June 8th, 2025.
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