By driving east of San Diego to Campo this weekend, you can enjoy free admission to four cool attractions!
Admission will be free at the Campo Railroad Museum, the Motor Transport Museum, the Gaskill Brothers Stone Store, and the Camp Lockett Equestrian and Event Facility!
This weekend, May 2-3, 2026, Campo Days promises unforgettable family-friendly experiences. Pile the kids in the car and have an adventure!
The incredible Campo Railroad Museum, operated by the Pacific Southwest Railway Museum Association, itself is worth the trip. You can explore many old train cars parked on tracks at the museum, and even ride a vintage train should you purchase a ticket! Learn more about the Campo Railroad Museum at their website here.
I learned about Campo Days when I swung by the La Mesa Depot Museum today. This small free museum is also operated by the Pacific Southwest Railway Museum Association.
Station master Timothy showed me some of the work being done to restore No. 3, the 1923 steam locomotive which you might have seen while driving through downtown La Mesa. I blogged about its history and restoration about a year ago here.
Timothy loves to talk about trains and his personal experience as an engineer. The always free La Mesa Depot Museum also has a cool HO-scale train layout kids love.
If you can’t make it to Campo Days this weekend, head to La Mesa on a Tuesday or Thursday from 12:00 pm to 3:00 pm, when the La Mesa Depot Museum is open. Admit it–you love trains, too!
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If you’ve wondered what it was like to sail into San Diego Bay on a Spanish galleon back in the 16th century, you have the opportunity to enjoy the amazing experience!
San Salvador, the seaworthy replica galleon built by the Maritime Museum of San Diego, sails out of downtown San Diego a couple time a month, taking visitors on a memorable adventure on the water!
San Salvador, a full size replica of the Spanish galleon flagship used by Juan Rodríguez Cabrillo to explore the California coast in 1542, was built by the museum back around 2015 on the shore of Spanish Landing. You can see photos of its construction here.
Today, passengers board the ship at the museum and typically enjoy a four hour sail off Point Loma. That’s what I did yesterday!
The trip was nearly a sell-out, so between passengers and about a dozen crew members, the galleon was quite lively. It really became lively out on the open ocean, when the round hulled galleon really rocked and rolled! (If you are susceptible to motion sickness, take a Dramamine in advance of your journey, and keep your eyes on the horizon.)
One cool aspect of the trip was everyone learned a lot about the history of Cabrillo’s exploration, Spanish conquistadors, and San Diego as it was many centuries ago.
During the sail, I recommend hanging out on either the raised foredeck or quarterdeck, where you have the best views and can watch the dynamic crew working the sails and yards.
After Captain David briefed the passengers on safety, we were on our way through San Diego Bay using San Salvador‘s two diesel engines. Because galleons are square rigged, you can’t sail into the wind. On the way back into the bay from the Pacific Ocean, we sailed with the wind and didn’t taken our sails down until back near the Embarcadero.
Okay, let’s see some photos!
We are ready to pull away from the Maritime Museum’s barge…
Here we go! I started out by standing near a foredeck ladder looking back at the shrinking San Diego skyline.
I climbed up onto the foredeck…
Crew members getting to work…
I shifted my position to the quarterdeck. You can see the whole ship from here and observe the captain, who was standing near me.
That guy in the open window is the helmsman. From a sheltered spot he can observe the sails and way forward, while manually steering San Salvador under orders from the captain. He uses a vertical lever whipstaff to move the tiller, which turns the rudder.
A sail is being readied from the foredeck.
There’s Spike Africa! The schooner participated in last weekend’s Schooner Cup race, which I enjoyed from aboard Bill of Rights. See those photos here!
Heading out to sea down the channel, with North Island on our port side. A sailboat was watching us! Captain David is still using the diesel engines.
Almost out into the Pacific Ocean. That’s the New Point Loma Lighthouse down by the water.
Shortly before, we saluted Cabrillo National Monument by firing one of the galleon’s swivel guns. Fingers in ears can’t hold the camera!
It turned out to be a perfect, partly cloudy day.
We’re starting to roll! Hanging on!
Many hands raising the galleon’s sails…
Now I’m looking rearward from the quarterdeck.
Some folks headed down to the lower main deck where the rolling is less severe.
Lots of exciting action closeby!
A sailboat ahead requires a steering maneuver.
A NOAA research ship was also heading down the channel away from San Diego.
If you want, you can train to become a volunteer crew member on the Maritime Museum of San Diego’s amazing tall ships!
We’re being slowly propelled forward by wind power! Galleons aren’t terribly fast. We managed 3 knots. (That’s about 3 1/2 miles per hour–the speed at which I walk!) Imagine being an explorer in the 16th century rolling about on the open ocean moving at this quite modest speed!
There are various places where passengers can safely sit during the voyage.
After we tacked and began sailing back toward Point Loma, I headed to the galleon’s beak.
I turned around…
We are under sail almost all the way back to the museum. Once we enter San Diego Bay, it’s much smoother sailing! This is the life.
Now I headed once more to the foredeck…
Looking down at the beak as yards are squared to capture the wind from our rear.
There’s Spike Africa again, off of Harbor Island!
We all raise a lusty cheer for Spike Africa. Hip hip hooray! Hip hip hooray! Hip hip hooray!
After a few moments, they return the cheer!
If you’d like to enjoy a similar adventure, check out San Salvador‘s webpage by clicking here!
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Two days ago the Escondido Creek Trail Outdoor Art Gallery made its official debut!
Having missed the ceremony, I headed up to Escondido today to enjoy my first look.
Congratulations to ESCO ALLEY ART, the community organization that presented these six murals to the City of Escondido. To learn more about their ongoing efforts to beautify Escondido, visit ESCO ALLEY ART’s website here.
These half dozen murals each measure 15 by 10 feet, depict local flora and fauna, and were transferred onto Aluminum Composite Material. Their super shiny surfaces made photography without reflections nearly impossible. I did my best!
The murals are located on the Neighborhood Healthcare building at 460 North Elm Street. They face the Escondido Creek Trail–a pedestrian and bike path that is presently undergoing improvement. (I noticed some of the improvements during my walk and will blog about that coming up.)
Curious who the mural artists are? Check out the captions of my photographs…
Nature Watching by artist Laura Green.Coyote by artist Berthis Myers.Wildlife in the Poppies by artist Joanne Sullivan.Aspire by artist Kat Furrow.Tunas Doradas by artist Andres Marin.California Dreaming by artist LaRetta Small-Zamora.
This ESCO ALLEY ART webpage links to information concerning each artist!
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A cool kinetic sculpture stands in Escondido at the intersection of Valley Boulevard and East Grand Avenue. It’s called, appropriately, Ovalesque. Two ovals containing dichroic glass move independently in the wind, flashing brilliant sunlit colors!
Jeffrey Laudenslager and Deanne Sabeck collaborated to create this beautiful sculpture in 2024. If you want to view more of Jeffrey’s kinetic sculptures, check out his Instagram page here. See Ovalesque moving about by clicking here.
These photos of Ovalesque were taken during my most recent Escondido walk. It was somewhat overcast that day. Imagine bright sunlight and beautiful colors moving through a blue sky!
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Tony Bingham is presently the artist in residence at the California Center for the Arts Museum in Escondido. Visitors to the museum have the opportunity to meet Tony and experience his work when he is present. I was privileged to meet him a couple days ago. He loves to interact with curious people!
Tony told me about his fascination with A. E. “Fred” Coleman, a former slave who discovered gold in Julian back in 1869, launching a gold rush. The gold mining camp Coleman City quickly sprang up by what today is named Coleman Creek, a tributary of the San Diego River. Among other accomplishments, A. E. Coleman created a toll road into Julian.
Short-lived Coleman City is now a vanished ghost town, but the legacy of A. E. Coleman remains an important part of African American history in the San Diego region. Tony Bingham’s art honors that history.
Tony, with his art, also honors two African American trailblazers: Albert Robinson and Margaret Tull Robinson. In 1887 they started the Robinson Restaurant and Bakery in Julian. Today the establishment is called the Julian Gold Rush Hotel.
Tony Bingham loves to create images using pinhole photography.
He went up to the property through which Coleman Creek runs and took a series of pinhole photographs, often experimenting with different exposures. Here are some of the results…
The words you see above are the names of different mines that were established around Julian during the gold rush.
Tony has also created clay plates that recall the historic Robinson Hotel & Restaurant. The earthy plates among them were formed using the actual grassy soil along Coleman Creek.
Tony has conjectured what food items the restaurant might have had on its menu, and if any vegetables were grown on location.
He has produced plant music that reflects different vegetables, resulting from bioelectrical activity within a living plant. It was very cool listening to a plant “symphony” from his laptop! The potatoes were quite lively!
Tony Bingham is a multi-disciplinary artist and educator from Birmingham, Alabama. His very unique work invites contemplation. It honors the life and legacy of African Americans.
Perhaps his most notable work is the Praise House, an open-air sculpture at a former plantation in Harpersville, Alabama.
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This very beautiful plaque near the beach in La Jolla Shores is dedicated to the Kumeyaay Nation, whose people have lived in our region for thousands of years.
I took these photos of the plaque a while back, during my last walk along the boardwalk near Kellogg Park. You can find the plaque inside the Grand Canyons of La Jolla Educational Plaza.
(To learn more about the plaza, check out a blog I posted a few years ago here.)
Text on the plaque includes:
KUMEYAAY NATION
FOR THOUSANDS OF YEARS WE HAVE LIVED TOGETHER AS A PEOPLE…from the shores of the Pacific Ocean ~ to the mountains and inland valleys ~ down through the deserts of Baja California Norte, Mexico.
Our cultural and historical roots can be traced throughout the greater San Diego region, dating back more than 12,000 years. La Jolla Shores has always been an integral part of our history and was a vital resource for gathering, fishing and hunting well into the early 20th Century. This area was once part of a lagoon offering a variety of plant life used for food, clothing, medicines, baskets and building materials. Our ancestors were exceptional stewards of the environment as demonstrated in their plant husbandry techniques and responsible use of land and water resources. Beginning with the Spanish invasion of 1769, the Kumeyaay were forced off ancestral lands and now live on twelve of the eighteen reservations in San Diego County. Our historical presence is visible along the shoreline as evidenced by unearthed artifacts, burial sites and remnant of ancient villages.
Offshore, submerged sites are protected by State and Federal Laws in order to keep our rich cultural heritage alive for future generations to learn from and enjoy. The Sycuan Band of the Kumeyaay Nation dedicates this plaque to honor our past and promote preservation of this unique marine environment.
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A hot day for mid-March. I stayed near the beach–in Oceanside. As I walked out onto the Oceanside Pier, look what I saw! Someone was digging a huge skull and crossbones into the sand!
Turns out the friendly, creative guy was David. He was working on his pirate Jolly Roger flag design in the sunshine, while people strolling along the beach would stop, look and chat.
He’s been making artwork in the sand like this for several months, he told me. He’s created perhaps a dozen such works at the beach.
He told me there’s another guy who makes cool designs using a garden rake. That sounds awesome, too. Perhaps I’ll stumble upon that one day.
Here’s what I saw around noon as I walked out on the pier:
After I ate lunch, I returned to the pier and saw this:
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I headed to Ocean Beach today. Wandering along and around Newport Avenue, and near the beach, I took these cool photographs. Every walk in OB is an adventure–there’s always more to discover!
How to describe laid-back Ocean Beach? Counterculture meets the beach? A funky hippie paradise? A place where locals, professionals and tourists mingle with skaters, surfers, and stoners playing guitar on the boardwalk near the pier? You never quite know what you’ll encounter!
Some of the best weird sights are in shop windows. There’s a ton of colorful street art, too, which I’ve covered many times over the years. (I did happen upon one awesome mural which I’ll share in my next blog post.)
Anyway, these photos are from today’s sunny walk. They were taken before and after a lunchtime pollo asado burrito…
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The Oceanside Museum of Art occupies a building that was designed by renowned architect Irving J. Gill. They soon will be expanding into an adjacent building also designed by Gill. So it’s appropriate museum visitors can now enjoy an exhibition titled Modern Simplicity: The Architecture of Irving J. Gill in Oceanside.
Irving Gill is a name you might recognize. His architectural work can be found all around San Diego. He’s considered a pioneer of the modern movement in architecture. Twelve of his buildings throughout Southern California are listed on the National Register of Historic Places. (In nearly thirteen years of blogging, I’ve photographed much of his work. To find those past blog posts, click here.)
As the exhibition webpage explains: The City of Oceanside is home to several notable examples of Gill’s later work, including two landmark buildings that define the east-west axis of the Oceanside Museum of Art (OMA) campus: the former 1934 City Hall and the original [1929] Fire Station #1 and police station.
In Oceanside he also designed the Americanization School (1931), the Nevada Street Kindergarten (1931), the Blade Tribune building (1936), and several others. The exhibition documents his buildings with fascinating information and historical drawings and photographs.
The exhibition explains how Irving was inspired by Southern California’s climate and stripped architecture of unnecessary ornament and focused on pure geometric form.
People might not realize it, but many buildings and houses around San Diego were greatly influenced by the vision of one man: Irving J. Gill. In Oceanside–and now at the museum exhibition–that inspired vision comes to life.
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